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Red Hot Chili Peppers One Hot Minute Album Art

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"Transcending" redirects here. For other uses, encounter Transcension.

1995 studio album by Carmine Hot Chili Peppers

One Hot Minute
Rhcp7.jpg

Embrace art designed by Mark Ryden
Studio album by

Red Hot Chili Peppers
Released September 12, 1995 (1995-09-12)
Recorded June 1994 – Feb 1995
Studio The Audio Factory, Hollywood, California
Genre
  • Funk metal[1]
  • alternative stone[ii]
  • hard rock[3]
  • psychedelic rock[four]
Length 61:14
Characterization Warner Bros.
Producer Rick Rubin
Ruby Hot Chili Peppers chronology
The Best of Red Hot Chili Peppers
(1994) 		One Hot Infinitesimal
(1995) 		Under the Covers: Essential Red Hot Chili Peppers
(1998)
Ruddy Hot Chili Peppers studio album chronology
Blood Carbohydrate Sex Magik
(1991) 		One Hot Minute
(1995) 		Californication
(1999)
Singles from One Hot Minute
  1. "Warped"
    Released: August nine, 1995
  2. "My Friends"
    Released: September nineteen, 1995
  3. "Airplane[5]"
    Released: March xiv, 1996
  4. "Shallow Be Thy Game"
    Released: May 29, 1996
  5. "Coffee Shop"
    Released: August 12, 1996

One Hot Minute is the sixth studio anthology by American rock band Red Hot Chili Peppers, released on September 12, 1995 by Warner Bros. Records. The worldwide success of the ring'south previous album Claret Sugar Sex Magik (1991) acquired guitarist John Frusciante to become uncomfortable with their popularity, eventually quitting mid-tour in 1992. Following a series of short-term replacements, the ring hired guitarist Dave Navarro in 1993; it was his simply studio album with the band. Recording for the album took place at the Audio Factory in Hollywood from June 1994 to February 1995. It marked the second collaboration betwixt the band and producer Rick Rubin.

A departure from the funk of Blood Sugar Sexual activity Magik, One Hot Minute is characterized by heavy metallic riffs and psychedelic stone influences, primarily due to the influence of Navarro, formerly of Jane's Addiction. Singer Anthony Kiedis, who had resumed addictions to cocaine and heroin in 1994 after existence sober for more 5 years, approached his lyricism with a reflective outlook on drugs and their harsh furnishings. Every bit such, the lyrics reflect mostly dark and melancholy themes. Bassist Flea sang lead vocals on "Pea".

1 Hot Infinitesimal sold more than than two million copies and was certified multi-platinum, and reached number four on the US Billboard 200. Information technology besides spawned three hit singles: "Warped", "My Friends" and "Aeroplane". Nevertheless, it was considered a commercial disappointment, because it sold fewer than half as many copies every bit Claret Sugar Sex activity Magik and received much less acclaim. Navarro was fired in 1998 due to his drug use, afterward which Frusciante returned to the ring.

Background [edit]

Red Hot Chili Peppers had released Blood Sugar Sex Magik in 1991. The album was an instant hit, selling more seven million copies in the Us, and turned the band into an international sensation.[half-dozen] Guitarist John Frusciante was having difficulty coping with the ring'south newfound fame and began to dislike it.[vii] Frusciante ofttimes argued with his ring mates and sabotaged performances.[eight] [ix] He began taking heroin and steadily increased his usage of the drug over time.[ten] Frusciante ultimately quit the band in 1992, during the Japanese leg of their tour.[11] [12] Frusciante returned to his home in California and became a recluse.[13]

Stunned, the remaining Chili Peppers, who had no suitable replacement, hired Arik Marshall to play the remaining dates after being forced to reschedule.[11] [14] Upon returning to Hollywood, the band placed an advertizement in the 50.A. Weekly for open guitar auditions, which Kiedis considered to be a waste matter of time.[15] Later on several months of unsuccessfully looking for a suitable guitarist, drummer Republic of chad Smith suggested Dave Navarro.[16] He had always been the band's first choice, but was decorated recording Deconstruction with Eric Avery following the 1991 breakup of Jane's Addiction. Navarro eventually accepted the position after productive jam sessions.[sixteen]

Recording and production [edit]

Navarro playing guitar

Kiedis knew that the band's audio would inevitably alter when Navarro joined.[17] In June 1994, the band entered The Sound Factory, a recording studio in Los Angeles, to begin recording its next album. The ring completed a few basic tracks earlier Kiedis began having difficulty singing. He'd been through a dental procedure in which an addictive sedative, Valium, was used; this caused him to relapse, and he once once again became dependent on drugs.[18] Kiedis had slipped from 5 years of sobriety and began reusing narcotics he'd sworn never to use once again. The band took a curt break from recording to perform at Woodstock '94, the beginning show Navarro played with the Peppers.[eighteen]

Later resuming product, Navarro questioned the methods of the Peppers' recording procedures. He wondered why such a considerable amount of jamming was involved with the album'due south conception. Diverse qualms followed, and the process soon became uncomfortable for the ring.[xix] Months went by, and only pocket-size amounts of fabric were written. Kiedis made a trip to Yard Rapids, Michigan in December for Christmas, where his family unit realized he'd resumed an active addiction once again. He returned to Hollywood in belatedly January 1995, when he finally finished recording his vocals. The rest of the recording was completed within the next calendar month.[20]

Writing and limerick [edit]

Considering Kiedis had resumed heavy drug use and Frusciante was no longer nowadays for collaboration, songs were written at a far slower rate.[eighteen] Working with Frusciante had been something Kiedis took for granted: "John Frusciante had been a truthful anomaly when it came to song writing. He made it even easier than Hillel Slovak to create music, fifty-fifty though I'd known Hillel for years. I just figured that was how all guitar players were, that you showed them your lyrics and sang a piffling bit and the side by side thing yous knew you had a song. That didn't happen right off the bat with Dave."[18] Drummer Chad Smith suggested it was writer's cake that was holding Kiedis back from coming up with lyrics, nevertheless Kiedis strongly denied this. With the writing process taking too much time and Kiedis returning to his drug habit, for the first time on whatever of the band's albums, Flea, besides contributing music as usual, wrote some of the lyrics, including "Transcending," his tribute to River Phoenix along with the intro and outro to "Deep Kicking," a song that told the story of his and Kiedis's youth. As well, Flea sang atomic number 82 vocals (to "Pea") for the first time on any album).[11] [21]

Stylistically, One Hot Minute diverged from the Chili Peppers' previous records—especially Blood Sugar Sex Magik. The album was characterized past prominent use of heavy metal guitar riffs and hints of psychedelic rock.[22] Navarro, unlike Flea and Kiedis, was not influenced by funk music. He told Guitar Globe in 1996, "Information technology doesn't actually speak to me. But and then again, when I'k playing with three other guys who I love and experience camaraderie with, it'south enjoyable to play funk."[23] Navarro'south own style was influenced mainly by classic rock guitarists such as Eric Clapton, Jimi Hendrix, Jimmy Folio, and Carlos Santana, as well as gothic rock guitarists Robert Smith and Daniel Ash.[24] Continuing a trend that started on Blood Sugar Sexual activity Magik, Kiedis diverged fifty-fifty further away from his signature rapping, but doing so on a few tracks. One Hot Minute took about ii years to write, and its recording and production was non a polish process. Navarro felt as though he was an outsider to the other members.[xviii] His writing in Jane'southward Addiction was contained from other contributors, whereas the Peppers were a far more collaborative group.[18] Navarro himself noted that the band's dynamic was more balanced than that of Jane's Addiction, which was often dominated by frontman Perry Farrell.[23]

Overall, I Hot Minute lyrically confronted the night, melancholy and remorseful feelings Kiedis kept to himself. Many of the songs were written at a time when he was hiding his resumed addiction.[18] "Warped" directly faced Kiedis'south distraught moods as a hysterical cry for help: "My trend for dependency is offending me/It's upending me/I'm pretending to exist strong and free from my dependency/It's warping me." He too felt disappointed that "no one had suspected that I'd slipped from my more than than v years of sobriety."[25] The track itself was equanimous of heavy guitar riffs and echoing vocals which attempted to convey a distressed state.[18] "Aeroplane", the album'south third single, was more upbeat than many of the album's songs; but it withal contained various references to Kiedis'southward personal bug: "Looking into my ain optics/I can't discover the love I want/Someone improve slap me before I start to rust/before I starting time to decompose." The vocal likewise featured Flea'south daughter Clara and her kindergarten form singing bankroll vocals on the concluding verse.[11] Additionally, "Pea" is targeted at "the guys who beat the shit out of me [Flea] at the Mayfair on Franklin & Bronson".[26]

"Tearjerker" was a tribute to Nirvana pb singer Kurt Cobain. Kiedis felt Cobain's death "was an emotional accident, and we all felt information technology. I don't know why anybody on earth felt so shut to that guy; he was beloved and endearing and inoffensive in some weird way. For all of his screaming and all of his darkness, he was just lovable."[27] "My Friends" addressed more of Kiedis' own somber thoughts rather than those of "his friends":[21] "My friends are so distressed/And standing on the brink of emptiness/No words I know of to express/This emptiness."

Outtakes [edit]

Thirteen songs from the One Hot Minute sessions made it to the final cut of the anthology. "Melancholy Mechanics" was released as a bonus runway on the Japanese pressing of the anthology, besides as a b-side to the "Warped" unmarried, and "Let's Brand Evil" and "Stretch" (originally connected to the finish of "One Big Mob") were released on the "My Friends" single. "Bob" (a song nearly shut friend Bob Forrest) would finally surface xi years afterward as an iTunes bonus track in 2006. The vocal features percussion past Stephen Perkins. "Blender" was 1 of two songs ("Stretch" being the other) that was dropped from the anthology'southward final cut at the final infinitesimal. The song has never been released.[28] "The Intimidator" and "Slow Funk", 2 songs mentioned in interviews by Republic of chad Smith, accept never been released. It is unknown if either vocal was a working title for some other released vocal.

Promotion and release [edit]

While piecing together the final components of the album, the ring recorded a video for "Warped". They asked Flea'due south blood brother-in-police force, Gavin Bowden, to direct it. The video feature the members of the band scantily clad and involved Kiedis and Navarro kissing towards the end as a way of breaking the monotony of cumbersome video recording. Thinking naught of it, they continued to shoot and finished several days later.[29] Warner Bros., however, saw the video and instantly wanted it thrown away, because information technology to be unmarketable and that the kiss and the homoerotic imagery would amerce a large portion of the ring's fan base.[29] The band came to a consensus to let the kiss remain on the final cut, prompting a backfire from the higher segment of their audience, who took law-breaking at the action. Kiedis said of the situation: "If they couldn't accept what we were doing, nosotros didn't need them anymore."[29]

One Hot Minute was released on September 12, 1995. Information technology was certified Gold but more ii months afterwards on Nov 11; since then it has gone Double Platinum in the U.s..[half dozen] The album peaked at number 4 on the Billboard Top 200.[30] [31] "My Friends" peaked at number one on the Modern Rock and Mainstream Stone charts.[32] The song as well peaked at number 29 on the Britain Singles Nautical chart, and "Aeroplane" at number 11.[33] Several days post-obit the album's release, Kiedis continued to use drugs despite the numerous interviews he was scheduled to attend.[29]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [22]
Entertainment Weekly B+[34]
The Guardian [35]
Los Angeles Times [36]
Mojo [37]
NME half dozen/ten[38]
Q [39]
Rolling Stone [twoscore]
Select three/v[41]
Spin 7/10[42]

One Hot Minute was not as universally well received as Blood Sugar Sexual practice Magik, and was ultimately considered to exist a poor follow-up. It did, however, receive mixed to positive reviews from critics. Daina Darzin of Rolling Stone said "I Hot Infinitesimal dives into the emotionally deep finish of drug addiction and loss", and that the album "is a ferociously eclectic and imaginative disc that also presents the ring members as more thoughtful, spiritual—even grown-up. Afterward a 10 plus-year career, they're realizing their potential at last."[40] David Browne of Entertainment Weekly said that "One Hot Minute wails and flails like a mosh-pit conditioning tape, but it besides has moments of outright subtlety and maturity." He goes on to praise Kiedis for "keeping his boorish tendencies under control." Browne, however, criticizes the band for "attempts at cosmic philosophy which frequently trip up on hippie-dippie sentiments", and some songs "fall back on tired frat-funk flop sweat."[34] "The Peppers work their own little patch with considerable expertise," wrote Peter Kane in Q. "The incoming Navarro rarely fails to deliver the goods and upfront the taut ball of energy going by the proper name of Anthony Kiedis still makes for a suitably rubbery-lipped frontman, if not exactly a lovable one."[39] Q too included One Hot Minute in its 'best of the year' roundup: "A bulging, baking blend of a skewed ballads and physically intimidating workouts that charge around similar a bull on a promise."[43]

AllMusic's Stephen Thomas Erlewine said that "post-obit up Blood Sugar Sex activity Magik proved to be a hard task for the Red Hot Chili Peppers", and "Navarro's metallic guitar shredding should accept added some weight to the Chili Peppers' punk-inflected heavy-guitar funk, but tends to arrive plodding." Erlewine went on to add that "by emphasizing the metal, the funk is gradually phased out of the blend, as is melody."[22] Robert Christgau gave the album a rating of "dud".[44]

"My Friends" was considered by Erlewine to exist a blatant attempt to concord on to the mainstream audience gained by "Under the Span", and that in dissimilarity, "the melodies are weak and the lyrics are even more feeble." The vocal likewise "tries to exist a collective hug for all [of Kiedis's] troubled pals."[22] [34] Rolling Stone, on the other hand, said the vocal was "lovely", and incorporated a "vaguely folky chorus, and sports the same sad wishfulness of 'Under the Span' and 'Breaking the Girl'." The article went on to praise "Warped" claiming it "mixes harrowing lyrics with a multi-toned, layered intro and a whirling dervish of noises and big-stone rhythms surfing through and over big, funky hooks. Information technology's like, well, a drug rush." Rolling Stone went on to say that the title runway was "funky and fun. It'southward about beloved and sexual practice. What the hell. Some things don't take to change."[forty] Entertainment Weekly said "some of these songs last a piffling too long and could have benefited from a trimming", though they credited Kiedis for sounding "about spiritual" on "Falling into Grace".[34]

Unreleased documentary [edit]

In 1994 and 1995 the band, along with director Gavin Bowden, began piece of work on a documentary, Deep Kicking, named after the third track on the album. The documentary was expected to be similar to Funky Monks, which documented the making of Blood Sugar Sex Magik, although it would as well feature mini-films intercut featuring each member of the ring. Some footage from the documentary has been released on the internet including Anthony's segment along with a segment of the ring with the Velvet Underground'due south "I'm Waiting for the Human being" playing over the footage. Footage from the in-studio version of the "My Friends" music video also came from this shoot. It is unknown if the project was always completed and if it was, why Warner never released it.[45] [46] [47]

Tour [edit]

The 1 Hot Minute tour began several days afterwards the release of the album. The band opened the tour with a European leg. Kiedis felt that equally a musician, he was becoming somewhat lackluster.[48] The short European leg ended in early Nov, and the U.Due south. portion was scheduled to brainstorm 10 days later; however, it was postponed until early Feb.[48] A few shows into the U.Due south. leg, Kiedis injured his leg badly while engaging in what he calls "eyes-closed robotic dancing." He tripped over a monitor and fell off the stage, ending up hanging by his dogie from his microphone cable, resulting in a bandage which he wore for the side by side two months.[48] Kiedis reflected that it "was squeamish to see that people were withal interested in coming out to see what nosotros practise," as there'd been a four-year gap since the release of Blood Sugar Sexual activity Magik. Post-obit the conclusion of the U.Southward. tour, the ring took two weeks off before several Commonwealth of australia and New Zealand performances. The Peppers then played at the Tibetan Freedom Concert in San Francisco in June, before finishing the tour in Europe.[48]

Kiedis had remained sober the unabridged tour and maintained positive disposition during shows. Navarro, however, was growing tired of touring, and that was offset to grate on his fellow band-mates.[48] Kiedis suffered an additional injury in Prague after falling off the stage while attempting to execute a back flip. He was forced to wear a dorsum caryatid for the next few shows, which restricted his actions to the area around his microphone. After shows in Paris and London, the band returned home to Los Angeles. Kiedis began taking drugs once again, though he forced himself to discontinue later on several weeks.[48] The ring was then asked to play in the Due north Pole for roughly 100 competition winners of a concert prepare by Molson, a Canadian beer company. While the show was mildly motivating to the band, they returned home after two days.[49]

Months went by without any scheduled concerts due to the album'south poor sales.[50] Following another relapse and a stint in rehab, Kiedis and the rest of the ring prepared for a summer bout, their first in almost seven months. Earlier the tour began, Kiedis had a motorcycle accident and was rushed to the infirmary later on severely injuring his hand. Due to his drug addiction, it took seven doses of morphine before the pain was assuaged. Following discharge from the hospital, he was forced to wear a total-arm cast for several months, resulting in the cancellation of all remaining scheduled concerts. Halfway through Kiedis's recovery, the band was asked to play the Fuji Rock Festival in July 1997. By that fourth dimension, Kiedis'due south bandage had receded downward to the elbow and he felt well enough to play.[51] A large draft had been forecast to hitting the festival several hours before the prove. The concert took place anyway, and when the Chili Peppers got on stage to play, the audience was being soaked in torrential rains, and the band found it virtually impossible to play their instruments. Later eight songs, the lighting and sound equipment was torn from the stage and the band was obliged to an impromptu terminate.[11] [52]

Follow-upwardly album and Navarro's departure [edit]

Returning habitation, the Chili Peppers parted ways and, for the most function, remained secluded from each other through the residual of 1997. No new material was written during that time, and it was not until the beginning of 1998 that the ring began rehearsal.[52] At that point, Navarro had become dependent on drugs, with Kiedis too struggling to remain make clean. The ring decided they would accept a talk with Navarro and endeavour to convince him to enter rehab. The give-and-take escalated into a heated dispute. In Apr 2010, Navarro discussed this incident, stating that: "One was my drug use at the time. The other was musical differences. Anthony says it was because I tripped and savage over an amp while on drugs. I say that he was on more drugs than me at that point. We both had a loose human relationship with reality. Who do y'all desire to believe?"[53]

The band fabricated an attempt to begin writing for a follow-up and had written and began recording a vocal titled "Circumvolve of the Noose", only it was never completed. The vocal, the terminal to feature guitar work from Navarro, was a tribute to the late qawwali-devotional vocalist Nusrat Fateh Ali Khan. Navarro described the vocal every bit popular and dirge-similar, and said it was i of his favorite songs he created with the ring. He said: "The best way I tin can describe it is it's like pepped-upward '60s folk with '90s ethics, simply I'd hate to characterization information technology as folk considering information technology'southward not, it moves."[54] According to Flea, information technology contained a sample of Nusrat Fateh Ali Khan.[55] On February three, 2016, a rough mix of "Circumvolve of the Noose," recorded on March xvi, 1998, was leaked to the internet.[56]

At this bespeak in 1998, Kiedis and Flea decided information technology was time to burn their guitarist. Navarro was furious when confronted past Kiedis and Flea, only somewhen accustomed his termination.[xi] [57] The Peppers were fighting, and on the verge of breaking up. Flea was beginning to question the band's future and thought it may be necessary to break the ring up.[57] He made 1 final endeavour to keep the band together, asking Frusciante to rejoin. Frusciante had recently completed a drug rehabilitation program subsequently more than five years of heroin habit, and gladly accepted the invitation.[eleven]

During the tour for 1 Hot Minute, all songs from the album except "One Hot Minute," "Tearjerker" and "Falling Into Grace" were played. Those 3 take never been played alive by the band. As of 2016, "Pea" and "Aeroplane" are the merely songs from One Hot Minute the Peppers have played in full since Navarro left the band.[58] The band did, nevertheless, tease "My Friends," "Allow's Make Evil" and "Walkabout" during the I'm With You Globe Bout, and "Deep Kick" was teased during The Getaway Globe Bout. Chad Smith was asked by fans during a February 2014 online interview about the ring'southward reasons for not performing the songs, and he responded by saying "Nosotros don't really feel that connected to that record anymore. No special reason, not to say nosotros'd never play those songs, but we don't experience that emotionally connected to that music correct now."[59] On October 2, 2021, Smith and Navarro performed "My Friends" together for the start time in 25 years at the Ohana Festival. They were joined by Taylor Hawkins on vocals, Pat Smear on guitar and Chris Chaney on bass.[threescore]

Rail listing [edit]

All songs written by Red Hot Chili Peppers (Flea, Kiedis, Navarro, Smith).

No. Championship Length
1. "Warped" 5:04
2. "Aeroplane" four:44
three. "Deep Kick" 6:34
iv. "My Friends" 4:03
5. "Java Shop" 3:08
6. "Pea" ane:46
7. "Ane Big Mob" 6:01
8. "Walkabout" 5:07
9. "Tearjerker" iv:19
10. "I Hot Infinitesimal" 6:25
11. "Falling into Grace" 3:47
12. "Shallow Be Thy Game" 4:33
13. "Transcending" 5:43
Japanese CD edition bonus track
No. Title Length
fourteen. "Melancholy Mechanics" 4:31
iTunes digital bonus tracks
No. Title Length
14. "Let's Make Evil" five:17
15. "Stretch You Out" half dozen:eighteen
sixteen. "Bob" 5:43

Personnel [edit]

Red Hot Chili Peppers

  • Anthony Kiedis – atomic number 82 vocals
  • Dave Navarro – guitars, backing vocals
  • Flea – bass guitar, bankroll vocals, lead vocals on "Pea" and co-atomic number 82 vocals on "Deep Kicking"
  • Republic of chad Smith – drums, percussion

Additional musicians [58]

  • Keith "Tree" Barry – violin on "Tearjerker"
  • Jimmy Boyle – backing vocals on "1 Big Mob"
  • Louis Mathieu - bankroll vocals on "Ane Big Mob"
  • Lenny Castro – percussion on "Walkabout", "My Friends", "Ane Hot Infinitesimal", "Deep Boot", and "Tearjerker"
  • Aimee Echo – backing vocals on "One Hot Minute", "One Large Mob"
  • Gurmukh Kaur Khalsa – chants on "Falling into Grace"
  • John Lurie – harmonica on "One Hot Minute"
  • Stephen Perkins – percussion on "Ane Big Mob", "Warped" and "Bob" (iTunes bonus track)
  • Kristen Vigard – backing vocals on "Falling into Grace"
  • Gabriel James Navarro - crying on "1 Large Mob"
  • The Aeroplane Kids - bankroll vocals on "Airplane"

Production

  • Stephen Marcussen – mastering engineer
  • Rick Rubin – producer
  • Dave Sardy – mixing engineer, recording engineer
  • Dave Schiffman – engineer
  • Don C. Tyler – digital editor

Design

  • Mark Ryden – album artwork

Charts [edit]

Certifications [edit]

Notes [edit]

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  15. ^ Kiedis, Sloman, 2004. p. 311
  16. ^ a b Kiedis, Sloman, 2004. p. 312
  17. ^ Kiedis, Sloman, 2004. p. 313
  18. ^ a b c d eastward f g h Kiedis, Sloman, 2004. pp. 315–323
  19. ^ Kiedis, Sloman, 2004. p. 328
  20. ^ Kiedis, Sloman, 2004. pp. 336–342
  21. ^ a b Kiedis, Sloman, 2004. pp. 341–344
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  29. ^ a b c d Kiedis, Sloman, 2004. pp. 347–349
  30. ^ "I Hot Minute anthology charting". Billboard. Archived from the original on Oct 13, 2007. Retrieved September 22, 2007.
  31. ^ "Blood-red Hot Chili Peppers' singles charts". Allmusic. Retrieved September 22, 2007.
  32. ^ "One Hot Infinitesimal singles' charting". Allmusic. Retrieved September 23, 2007.
  33. ^ "Uk Acme 40 charts". Everyhit. Archived from the original on Oct 29, 2019. Retrieved September 22, 2007.
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  35. ^ Wollaston, Sam (September xv, 1995). "Carmine Hot Chili Peppers: One Hot Minute (Warner Bros.)". The Guardian.
  36. ^ Ali, Lorraine (September 10, 1995). "The Crimson Hot Chili Peppers 'One Hot Minute' Warner Bros". Los Angeles Times. Archived from the original on Feb 5, 2017. Retrieved February 5, 2017.
  37. ^ Eccleston, Dan (July 2004). "The best of Cherry-red Hot Chili Peppers". Mojo. No. 128. p. 75.
  38. ^ Patterson, Sylvia (September 9, 1995). "Seconds Rate". NME. p. 48.
  39. ^ a b Kane, Peter (October 1995). "Ruddy Hot Chili Peppers: Ane Hot Minute". Q. No. 109. p. 118.
  40. ^ a b c Darzin, Daina (October v, 1995). "I Hot Minute". Rolling Stone. Archived from the original on November 22, 2007. Retrieved September 22, 2007.
  41. ^ Collis, Clark (October 1995). "Crimson Hot Chili Peppers: One Hot Minute". Select. No. 64.
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  43. ^ Q, February 1996
  44. ^ Christgau, Robert (2000). "Ruddy Hot Chili Peppers: 1 Hot Minute". Christgau's Consumer Guide: Albums of the '90s. St. Martin'due south Griffin. ISBN0-312-24560-2 . Retrieved May 4, 2020.
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  49. ^ Kiedis, Sloman, 2004. p. 364
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References [edit]

  • Kiedis, Anthony; Sloman, Larry (October half dozen, 2004). Scar Tissue. Hyperion. ISBN978-i-4013-0101-ix.

External links [edit]

  • One Hot Minute at Discogs (list of releases)

clarkwiff1994.blogspot.com

Source: https://en.wikipedia.org/wiki/One_Hot_Minute

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